With Treasures of Nature I returned to my vector drawings of natural forms. The digital construction lines were no longer only visible in copper, but became the basis for spatial sculptures.
Using waterjet cutting, the construction lines of my digital drawings were cut from metal. In some works, the reverse side is finished with bio-fluor. The work is mounted at a distance from the wall, allowing colour reflection and shadow to form a second image that changes with the light and the position of the viewer.
In other works, two separate metal line works, each powder-coated in a different colour, are positioned behind one another with space between them. The distance between the works and the wall creates a layered interplay of lines, form and shadow.
Light, space, colour and shadow thus become part of the work itself.
More about this art series can be found in the artist’s book True Blue.
